![](\"http:\/\/www.muzikekspres.com\/wp-content\/uploads\/2021\/02\/sevda-ayselgurel.jpeg\")
<\/p>\nAysel G\u00fcrel\u2019in daha \u00f6nce kimseye a\u00e7\u0131lmam\u0131\u015f ar\u015fivine girip, daha \u00f6nce kimsenin elinin\u00a0de\u011fmedi\u011fi onlarca \u015fiir aras\u0131ndan en uygun se\u00e7imleri yaparak yay\u0131mlad\u0131\u011f\u0131m\u0131z ikinci kitab\u0131 bu. Sevda\u2026<\/p>\n
Bu deli \u015fairin, bu \u00e7ocuk \u015fairin g\u00fcn y\u00fcz\u00fc g\u00f6rmemi\u015f \u00e7al\u0131\u015fmalar\u0131n\u0131 ve bir k\u0131sm\u0131n\u0131 \u015fark\u0131 olarak bildi\u011fimiz \u015fiirlerini Ne Kavgam Bitti Ne Sevdam adl\u0131 kitab\u0131m\u0131zda bir araya getirmi\u015ftik. O zaman kitab\u0131 \u015fairin do\u011fum g\u00fcn\u00fcnde, 2018\u2019in 7 \u015eubat\u2019\u0131nda \u00e7\u0131karm\u0131\u015ft\u0131k. \u015eimdiyse ikinci kitab\u0131n\u0131, ate\u015fli a\u015fklardan \u00e7ok dingin sevdalar\u0131n \u00f6zlemini duyan bu kitab\u0131n\u0131, \u015fairin \u00f6l\u00fcm y\u0131l d\u00f6n\u00fcm\u00fcnde huzurlar\u0131n\u0131za \u00e7\u0131kar\u0131yoruz.<\/p>\n
Mehtap Ar ve M\u00fcjde Ar\u2019\u0131n herkesten sak\u0131nd\u0131\u011f\u0131, kimseye g\u00f6stermek istemedi\u011fi bu de\u011ferli ar\u015five ula\u015fabilmek Tekin Yay\u0131nevi i\u00e7in b\u00fcy\u00fck bir onurdu. Bu onur, g\u00fcnlerce, gecelerce emek vermeyi ve gayret sarf etmeyi de beraberinde getirdi. \u015eiir se\u00e7iminde ve s\u0131ralamas\u0131nda; anla\u015f\u0131lmayan yerlerin netle\u015ftirilmesinde ve kitap haline getirme s\u00fcrecinin her a\u015famas\u0131nda Aysel G\u00fcrel\u2019in ailesiyle birlikte \u00e7al\u0131\u015ft\u0131k, yol ald\u0131k.\u00a0B\u00fct\u00fcn bunlar\u0131 yaparken bir nehrin i\u00e7inde biz de akt\u0131k gittik \u00e7\u00fcnk\u00fc \u015fairli\u011fi de kad\u0131nl\u0131\u011f\u0131 da nehir\u00a0gibiydi Aysel G\u00fcrel\u2019in. Onun cesaretinden pay\u0131m\u0131za d\u00fc\u015fenle ar\u015fivinin derinliklerini tarad\u0131k. Onun \u00f6zg\u00fcrl\u00fc\u011f\u00fc her ad\u0131m\u0131m\u0131zda yolumuza \u0131\u015f\u0131k oldu.\u00a0\u00d6l\u00fcm y\u0131l d\u00f6n\u00fcm\u00fcnde daha da iyi anl\u0131yoruz ki\u00a0Aysel G\u00fcrel b\u00fct\u00fcn kad\u0131nlar\u0131 duyarak, onlar\u0131n\u00a0ac\u0131s\u0131n\u0131 hissederek yazm\u0131\u015ft\u0131 \u015fiirlerini. O, toplumun her katman\u0131ndan kad\u0131n\u0131n sesini \u015fiirine ta\u015f\u0131m\u0131\u015f; o, kad\u0131nlar\u0131n s\u00f6ylemediklerini s\u00f6yleyen dil, onlar\u0131 duymak istemeyen kulaklar\u0131 utand\u0131ran bir kulak olmu\u015ftu. B\u00fct\u00fcn bunlar\u0131 yaparken kendi varl\u0131\u011f\u0131n\u0131 da gizlememi\u015fti asla.\u00a0Fakat en \u00f6nemlisi \u015fu: Aysel G\u00fcrel\u2019in kad\u0131nlara yapt\u0131\u011f\u0131n\u0131 ona \u015fiiri yap\u0131yordu. Bunu bug\u00fcn\u00a0Sevda\u2019daki \u015fiirleri okuyunca yakinen g\u00f6r\u00fcyoruz. Gerekti\u011finde serin bir g\u00f6lge, gerekti\u011finde \u015fefkatli bir kucak, bir kulak, g\u00f6ren bir g\u00f6z oldu \u015fiirleri ona. Yeri geldi\u011finde dayanak. Aysel\u00a0G\u00fcrel, kendini de \u015fiir yazarak bulmu\u015ftu.<\/p>\n
Aysel G\u00fcrel dizimizin bu ikinci kitab\u0131nda bilge bir kad\u0131n\u0131n s\u00f6zleri kar\u015f\u0131l\u0131yor okuru. B\u00fct\u00fcn\u00a0duygulara yer a\u00e7an, insan\u0131n her h\u00e2lini kabul eden, insan\u0131 her h\u00e2liyle kabul eden s\u0131k a\u011fa\u00e7l\u0131 bir\u00a0ormanda y\u00fcr\u00fcr gibi okuyacaks\u0131n\u0131z bu \u015fiirleri. Tekin Yay\u0131nevi\u2019nin gururla sundu\u011fu \u201cSevda\u201d kad\u0131nl\u0131\u011f\u0131n\u0131z\u0131 ba\u015fka bir kulakla duymaya haz\u0131rlayacak sizleri. \u015eiire kaynakl\u0131k eden \u00f6z suya do\u011fru bir ke\u015ffe \u00e7\u0131karacak.<\/p>\n
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Seni kaybettim kendimi buldum
\nDaha yorgun ama daha yo\u011fun
\n\u0130\u00e7imde cevab\u0131 her sorumun
\nA\u015fk idim ben art\u0131k sevda oldum<\/p>\n
Bir nehir gibidir Aysel G\u00fcrel. \u015eairli\u011fi, kad\u0131nl\u0131\u011f\u0131, cesareti hatta c\u00fcretiyle co\u015fkun bir nehir. Kendi arkas\u0131nda
\npervas\u0131zca duru\u015fu ba\u015fl\u0131 ba\u015f\u0131na bir \u015fiirdir.
\nBu duru\u015ftan ald\u0131\u011f\u0131 g\u00fc\u00e7le b\u00fct\u00fcn kad\u0131nlar\u0131 duyarak, onlar\u0131n ac\u0131s\u0131n\u0131 hissederek yazm\u0131\u015ft\u0131r \u015fiirlerini de.
\n\u015eiirleri de ona s\u0131cak bir yatak, serin bir g\u00f6lge olmu\u015ftur i\u015fte b\u00f6ylece.
\nNe Kavgam Bitti Ne Sevdam\u2019da okudu\u011fumuz g\u00f6z\u00fc kara, isyank\u00e2r, diri Aysel G\u00fcrel\u2019i bu kitapta kendine
\ndo\u011fru ke\u015ffe \u00e7\u0131km\u0131\u015f, sakinle\u015fmi\u015f bir sesle dinliyoruz. G\u00fc\u00e7l\u00fc bir kabul duygusuyla okuyoruz b\u00fct\u00fcn \u015fiirleri.
\nDik, onurlu, s\u00fck\u00fbnetli bir kabul. Art\u0131k a\u015fk\u0131 i\u00e7in sefere \u00e7\u0131kan de\u011fil a\u015fkla i\u015fgali ay\u0131ran, arzuyu demlendirip
\nsevdaya eren bir kabul.
\nSevda, Aysel G\u00fcrel dizimizin ikinci kitab\u0131. Kad\u0131nl\u0131\u011f\u0131n\u0131z\u0131 ba\u015fka bir kulakla duymaya, kendinizi yeniden
\ndo\u011furmaya \u00e7a\u011f\u0131racak sizi. Biz de bu esnada, Tekin Yay\u0131nevi olarak, dizinin di\u011fer kitaplar\u0131n\u0131
\nhaz\u0131rlayaca\u011f\u0131z. Kim bilir bir sonraki Aysel hangi g\u00fczelli\u011fiyle, bir sonraki kitab\u0131m\u0131z hangi duygularla
\nkar\u015f\u0131layacak siz sevgili okurlar\u0131m\u0131z\u0131?<\/p>\n
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\u015eair, s\u00f6z yazar\u0131, tiyatro ve sinema oyuncusu, edebiyat \u00f6\u011fretmeni. 7 \u015eubat 1929 y\u0131l\u0131nda Denizli,\u00a0Sarayk\u00f6y\u2019de d\u00fcnyaya geldi. \u00c7ocuklu\u011fu Cumhuriyet\u2019in ilk y\u0131llar\u0131nda, babas\u0131 H\u00e2kim Ali R\u0131za Bey\u2019in tayini dolay\u0131s\u0131yla Trabzon\u2019da bir Rum kona\u011f\u0131nda ge\u00e7mi\u015f, ilk, orta ve lise \u00f6\u011frenimini Trabzon\u2019da tamamlam\u0131\u015ft\u0131r.<\/p>\n
Hen\u00fcz 15 ya\u015f\u0131ndayken sanat d\u00fcnyas\u0131na ilk ad\u0131m\u0131n\u0131 Trabzon Halk Evi\u2019nde atan G\u00fcrel, klasik tiyatro eserlerinin sahne uyarlamalar\u0131nda rol alm\u0131\u015ft\u0131r. Aysel G\u00fcrel, oyunculu\u011fun yan\u0131 s\u0131ra edebiyat ve \u015fiire de\u00a0tutkundur. Ahmet Hamdi Tanp\u0131nar, Faruk Nafiz \u00c7aml\u0131bel, Ahmet Ha\u015fim ve Pablo Neruda\u2018dan\u00a0etkilenmi\u015ftir. Trabzon Atat\u00fcrk Lisesi\u2019nden mezun olduktan sonra 1948 y\u0131l\u0131nda \u0130stanbul \u00dcniversitesi\u00a0Edebiyat Fak\u00fcltesi, T\u00fcrkoloji B\u00f6l\u00fcm\u00fc\u2019ne kayd\u0131n\u0131 yapt\u0131rm\u0131\u015ft\u0131r. Edebiyat Fak\u00fcltesi\u2019nde Ahmet Hamdi\u00a0Tanp\u0131nar\u2019\u0131n \u00f6\u011frencisi olmu\u015ftur. Mezun olduktan k\u0131sa bir s\u00fcre sonra edebiyat \u00f6\u011fretmeni olarak g\u00f6rev yapm\u0131\u015ft\u0131r.<\/p>\n
Bir s\u00fcre sonra gazeteci Ahmet Vedat Ebrem\u2018le evlenen G\u00fcrel\u2019in, 1954 y\u0131l\u0131nda ilk \u00e7ocu\u011fu M\u00fcjde Ar, 1956 y\u0131l\u0131nda Mehtap Ar d\u00fcnyaya geldi. \u0130kinci \u00e7ocu\u011funa hamileyken e\u015finden ayr\u0131lan G\u00fcrel, 1960 y\u0131l\u0131nda T\u00fcrk Sahne Sanatk\u00e2rlar\u0131 Derne\u011fi\u2019ne kayd\u0131n\u0131 yapt\u0131rm\u0131\u015f ve profesyonel olarak tiyatrolarda oyunculu\u011fa ba\u015flam\u0131\u015ft\u0131r. Site Tiyatrosu\u2019nda M\u00fcnir \u00d6zkul, Ekrem D\u00fcmer, Suna Selen gibi isimlerle bir\u00e7ok rolde yer alm\u0131\u015f; Toto Karaca, Na\u015fit Tiyatrosu ve Muammer Karaca Tiyatrosu\u2019nda \u00e7al\u0131\u015fm\u0131\u015ft\u0131r.<\/p>\n
\u201cArt\u0131k oynayaca\u011f\u0131m bir \u015fey kalmam\u0131\u015ft\u0131. Yaz\u0131lmam\u0131\u015f, yaz\u0131lacak eserler d\u00fc\u015flemeye ba\u015flad\u0131m\u201d diyen Aysel\u00a0G\u00fcrel, y\u0131llarca yapt\u0131\u011f\u0131 tiyatro oyunculu\u011funu b\u0131rakm\u0131\u015ft\u0131r. \u201cBir \u015fey ke\u015ffettim. Herkesin bir \u015fiiri, bir ritmi vard\u0131. Bunu bulmal\u0131yd\u0131m. Kendimi de\u011fil toplumu yazmal\u0131yd\u0131m\u201d diyen G\u00fcrel, i\u015fsiz kald\u0131\u011f\u0131 d\u00f6nemde \u015fiir\u00a0yazmaya karar vermi\u015ftir. \u0130lk \u015fark\u0131s\u0131 Gen\u00e7lik Ba\u015f\u0131mda Duman (Ate\u015f B\u00f6ce\u011fim) 45\u2019lik bir plakta yer alm\u0131\u015f ve hit olmu\u015ftur. Binlerce \u015fark\u0131n\u0131n s\u00f6z yazar\u0131d\u0131r.<\/p>\n
\u015eiir \u015eimdi, Senin \u0130\u00e7in Sana De\u011fil ve Ne Kavgam Bitti Ne Sevdam isimli \u00fc\u00e7 \u015fiir kitab\u0131 bulunan G\u00fcrel,\u00a0\u201cMeyhane K\u00f6\u015feleri, Tek Kollu Canavar, Yurda D\u00f6n\u00fc\u015f, M\u0131st\u0131k, G\u00fcm\u00fc\u015f Gerdanl\u0131k, Silemezler G\u00f6nl\u00fcmden, Hop Dedik Kaz\u0131m, \u00d6yle Olsun, Tantana Karde\u015fler, Kaybolan Saadet, Arzu, Yans\u0131n Bu D\u00fcnya, Fosforlu Cevriye\u201d gibi bir\u00e7ok filmde rol alm\u0131\u015ft\u0131r.<\/p>\n
Aysel G\u00fcrel, 17 \u015eubat 2008 y\u0131l\u0131nda tedavi g\u00f6rd\u00fc\u011f\u00fc hastanede hayata g\u00f6zlerini yumdu. Ard\u0131ndan\u00a0b\u0131rakt\u0131\u011f\u0131 binlerce s\u00f6z ve \u015fiirleriyle \u00f6l\u00fcms\u00fczle\u015fti.<\/p>\n
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