Hasan Salt\u0131k\u2019\u0131n yap\u0131mc\u0131l\u0131\u011f\u0131nda Kalan M\u00fczik, yine kendisi ile birlikte Nil\u00fcfer Salt\u0131k\u2019\u0131n ortakl\u0131\u011f\u0131nda \/ yap\u0131mc\u0131l\u0131\u011f\u0131nda Kalan Z ge\u00e7ti\u011fimiz g\u00fcnlerde yay\u0131nlad\u0131klar\u0131 yeni alb\u00fcmler ile etnik \/ caz \/ alternatif m\u00fczi\u011fin nabz\u0131n\u0131 tutmaya bir kere daha devam etti\u011fini g\u00f6sterdi. \u0130\u015fte o muhte\u015fem yap\u0131tlar, i\u015fte o \u00f6zel m\u00fczisyenleri. <\/p>\n
\u201cBence\u201d, \u201cArd\u0131ndan\u201d, \u201cDurgun Sular\u201d, \u201cDurmaks\u0131z\u0131n\u201d, \u201cTrio Mrio 2\u201d isimli \u00e7al\u0131\u015fmalar\u0131n\u0131n ard\u0131ndan yepyeni bir alb\u00fcmle yeniden sevenlerinin kar\u015f\u0131s\u0131na \u00e7\u0131kt\u0131 caz m\u00fczi\u011fin ba\u015far\u0131l\u0131 gitaristlerinden Sarp Maden. 2013 y\u0131l\u0131n\u0131n Mart ay\u0131nda kaydedilmesine ra\u011fmen hen\u00fcz dinleme \u015fans\u0131n\u0131 buldu\u011fumuz \u201cK\u00fc\u00e7\u00fck S\u0131r\u201d isimli alb\u00fcm\u00fcnde kendisine Volkan \u00d6ktem (davul, perk\u00fcsyon), Eylem Pelit (bas gitar) ve Genco Ar\u0131 (tu\u015flu \u00e7alg\u0131lar) e\u015flik ediyor. Babas\u0131na ithaf etti\u011fi alb\u00fcmde yer alan sekiz \u015fark\u0131n\u0131n da bestesi kendisine ait. <\/p>\n
Atina\u2019da do\u011fan, \u0130zmir k\u00f6kenli ve Heybeliada\u2019da ya\u015fayan Vasiliki Papageorgiou\u2019yu dinleyicilerin b\u00fcy\u00fck \u00e7o\u011funlu\u011fu G\u00fcndo\u011farken ile s\u00f6yledi\u011fi \u201cR\u00fczgar\u201d isimli \u015fark\u0131dan tan\u0131r. Yine takip edenler bilirler ki G\u00fcndo\u011farken\u2019in \u015fark\u0131lar\u0131ndan da olu\u015fan bir alb\u00fcm\u00fc, \u00f6ncesi yine \u00e7e\u015fitli proje alb\u00fcmlerde konuk sanat\u00e7\u0131l\u0131\u011f\u0131 vard\u0131r. Yeni alb\u00fcm\u00fcn\u00fc Engin Arslan\u2019\u0131n ve Kleon Antoniou\u2019nun katk\u0131lar\u0131yla yay\u0131nlad\u0131 m\u00fczisyen. \u201cEllinotourkika\u201d isimli \u00e7al\u0131\u015fmas\u0131nda 15 \u015fark\u0131 dinliyoruz. Theodorakis\u2019ten Hadjidakis\u2019e m\u00fczikler \u015eah Hatayi\u2019den Karacao\u011flan\u2019a dizeler, T\u00fcrk\u00e7e – Rumca keyifli bir yolculu\u011fa \u00e7\u0131k\u0131l\u0131yor bu \u015fark\u0131larda ve hepsi dayan\u0131\u015fmaya, ya\u015fama co\u015fkusuna, dostluklara adan\u0131yor. \u00c7ok ilgin\u00e7tir ki bu alb\u00fcm de Eyl\u00fcl 2009 y\u0131l\u0131nda Atina\u2019da kaydedilmi\u015f, do\u011frusu neden bu kadar bekledi bizlere ula\u015fmas\u0131 i\u00e7in bilinmez. <\/p>\n
\u00c7erkesya\u2019n\u0131n Nalchik \u015fehrinde ya\u015fayan Marem G\u00f6khan \u015een ikinci etnik m\u00fczik \u00e7al\u0131\u015fmas\u0131 ”\u0425\u044d\u0445\u044d\u0441 E\u0442|\u0443\u0430\u043d\u044d (Khekhes Etuane) – \u00c7erkes Ezgileri II\u201d ile kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Unutulmaya y\u00fcz tutan dilleri ve gelenekleri korumada, nesillere ta\u015f\u0131mada m\u00fczi\u011fi en b\u00fcy\u00fck silah kabul eden m\u00fczisyen ilk alb\u00fcm\u00fcnde oldu\u011fu gibi bu alb\u00fcm\u00fcnde de \u00f6nceli\u011fi icra edilmemi\u015f diaspora ezginlerine vermi\u015f ve bunlar\u0131 da hayata ge\u00e7irirken \u00e7izgisinden \u00e7\u0131karmamaya gayret etmi\u015f. Yine a\u015fklar, sava\u015flar, s\u00fcrg\u00fcnler var bu ezgilerde. T\u00fcrkiye ve \u00c7erkesya\u2019dan m\u00fczisyenlerin de gerek vokal gerek enstr\u00fcmanlar\u0131 ile destek verdi\u011fi alb\u00fcm\u00fcn geliri T\u0131j \u0130lkay geri d\u00f6n\u00fc\u015f projesine aktar\u0131lacak. <\/p>\n
Bir ba\u015fka etnik bulu\u015fman\u0131n m\u00fczisyeni ise Do\u011fan. \u201cZewt\/Deddua\/Curse\u201d isimli alb\u00fcmde ise Zaza dilinin ritmi ile Dersim\u2019in k\u00fclt\u00fcrel miras\u0131 m\u00fczisyenin sesinden a\u00e7\u0131\u011fa \u00e7\u0131km\u0131\u015f. Dersim Alevi inanc\u0131n\u0131n derinli\u011finden beslenen alb\u00fcmde bir tanesi hari\u00e7 t\u00fcm s\u00f6zlerin ve bestelerin imzas\u0131 da ayr\u0131ca kendisi. Zazaca bildi\u011finiz gibi UNESCO raporlar\u0131na g\u00f6re yitip gitmekte olan dillerden bir tanesi ve bu y\u00fczden az \u00f6nce de belirtti\u011fimiz gibi bu dilleri ya\u015fatmak ad\u0131na m\u00fczisyenlere \u00e7ok i\u015f d\u00fc\u015f\u00fcyor ve Do\u011fan\u2019\u0131 da bu anlamda kutlamak laz\u0131m. <\/p>\n
Ve Karadeniz\u2019e uzan\u0131yoruz. \u00d6ncelikle Samet K\u00f6lemen ismi ile tan\u0131\u015f\u0131yoruz. Trabzon do\u011fumlu m\u00fczisyen konservatuar e\u011fitiminden sonra bir\u00e7ok \u00f6nemli projede yer alm\u0131\u015f ki bir tanesi Kremlin Saray\u0131\u2019nda ger\u00e7ekle\u015fen K\u0131z\u0131l Ordu konserinde yer almak olmu\u015f. Polonya\u2019da d\u00fczenlenen bir m\u00fczik festivalinden de yine \u00e7e\u015fitli derecelerle ayr\u0131lm\u0131\u015f. \u201cPoyraz\u201d isimli bu alb\u00fcm\u00fcnde de G\u00f6ksun \u00c7avdar, Engin Arslan, \u0130smail Soyberk, An\u0131l \u015eall\u0131el gibi m\u00fczisyenlerin de deste\u011fini alm\u0131\u015f. Anonim eserlerin yan\u0131nda Volkan Konak, Fuat Saka gibi Karadeniz m\u00fczi\u011finin \u00f6nemli isimlerinden de birer \u015fark\u0131 dahil etmi\u015f alb\u00fcm\u00fcne. Kurdu\u011fu orkestras\u0131 ile m\u00fczik yolculu\u011funa devam eden m\u00fczisyen grubun kurulu\u015f amac\u0131n\u0131 ise halk m\u00fczi\u011fi ile bat\u0131 m\u00fczi\u011fini bir araya getirerek yeni bir renk ve yorum getirmek olarak a\u00e7\u0131klam\u0131\u015f. <\/p>\n
Karadeniz\u2019den gelen bir di\u011fer ses ise G\u00f6khan Uzunali\u2019ye ait. \u201cKaradeniz\u2019e Mektup\u201d isimli \u00e7al\u0131\u015fmas\u0131nda 13 eser yorumlam\u0131\u015f m\u00fczisyen. A\u011f\u0131rl\u0131\u011f\u0131 anonim t\u00fcrk\u00fclerin yer ald\u0131\u011f\u0131 alb\u00fcmde yine birbirinden de\u011ferli bir m\u00fczisyen kadrosu var. S\u0131k\u0131nt\u0131l\u0131, zor, sab\u0131r isteyen ama bir o kadar da e\u011flenceli ve mutluluk dolu bir s\u00fcre\u00e7te haz\u0131rlam\u0131\u015f alb\u00fcm\u00fc m\u00fczisyen ama de\u011fmi\u015f ve \u00f6zellikle de kartonet tasar\u0131m\u0131 ile ayr\u0131 bir renk, g\u00fczellik alm\u0131\u015f. <\/p>\n
Alt\u0131nc\u0131 solo alb\u00fcm\u00fc \u201cH\u00e2kisar\u201d ile ozanlar\u0131m\u0131zdan Dertli Divani; G\u00fclten Ak\u0131n, \u015e\u00fckr\u00fc Erba\u015f, Salih Bolat, Sunay Ak\u0131n, Behcet Aysan \u015fiirlerine ve kendi \u015fiirlerine getirdi\u011fi bestelerin yer ald\u0131\u011f\u0131 alb\u00fcm\u00fc ile Yusuf Eradam, Cami musik\u00eesinden ilhamla meydana getirdi\u011fi alb\u00fcm\u00fc ile Haf\u0131z Halil Necipo\u011flu, Ortado\u011fu\u2019nun ve Anadolu\u2019nun m\u00fczikal formlar\u0131ndan yararlanarak haz\u0131rlad\u0131\u011f\u0131 alb\u00fcm\u00fc ile Sedat Anar yine Kalan etiketi ile bizlerle bulu\u015fan di\u011fer isimler aras\u0131nda. Ayr\u0131ca yine yak\u0131n bir s\u00fcre \u00f6nce yay\u0131nlad\u0131klar\u0131 \u201cAleviler\u2019e Kalan\u201d ve \u201cAlaturka Records\u201d gibi y\u0131l\u0131n iki \u00f6nemli projesini, yine bu y\u0131l i\u00e7inde yay\u0131nlad\u0131klar\u0131 Mustafa Avk\u0131ran, Adile Yad\u0131rg\u0131, Apolas Lermi, \u0130ncesaz, Gomidas Vartabed, Minor Empire, Koliva alb\u00fcmlerini de ayr\u0131ca unutmamak laz\u0131m. <\/p>\n","protected":false},"excerpt":{"rendered":"
Hasan Salt\u0131k\u2019\u0131n yap\u0131mc\u0131l\u0131\u011f\u0131nda Kalan M\u00fczik, yine kendisi ile birlikte Nil\u00fcfer Salt\u0131k\u2019\u0131n ortakl\u0131\u011f\u0131nda \/ yap\u0131mc\u0131l\u0131\u011f\u0131nda Kalan Z ge\u00e7ti\u011fimiz g\u00fcnlerde yay\u0131nlad\u0131klar\u0131 yeni alb\u00fcmler ile etnik \/ caz \/ alternatif m\u00fczi\u011fin nabz\u0131n\u0131 tutmaya bir kere daha devam etti\u011fini g\u00f6sterdi. \u0130\u015fte o muhte\u015fem yap\u0131tlar, i\u015fte o \u00f6zel m\u00fczisyenleri. \u201cBence\u201d, \u201cArd\u0131ndan\u201d, \u201cDurgun Sular\u201d, \u201cDurmaks\u0131z\u0131n\u201d, \u201cTrio Mrio 2\u201d isimli \u00e7al\u0131\u015fmalar\u0131n\u0131n ard\u0131ndan …<\/p>\n","protected":false},"author":2,"featured_media":1893,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[29],"tags":[],"_links":{"self":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/1892"}],"collection":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/comments?post=1892"}],"version-history":[{"count":1,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/1892\/revisions"}],"predecessor-version":[{"id":1894,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/1892\/revisions\/1894"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/media\/1893"}],"wp:attachment":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/media?parent=1892"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/categories?post=1892"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/tags?post=1892"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}