S\u00f6z ve m\u00fczi\u011fi b\u00fcy\u00fck usta Cem Karaca\u2019ya ait olan, Cem Karaca, Cahit Berkay ve U\u011fur Dikmen gibi \u00fc\u00e7 b\u00fcy\u00fck m\u00fczisyenin bir araya geldi\u011fi 1992 tarihli Karaca\u2019n\u0131n ”Nerde Kalm\u0131\u015ft\u0131k” alb\u00fcm\u00fcnde yer alan \u201c\u00d6mr\u00fcm\u201d \u015fark\u0131s\u0131, \u00d6zge F\u0131\u015fk\u0131n taraf\u0131ndan yorumland\u0131. Karaca\u2019n\u0131n benzersiz performans\u0131n\u0131n yan\u0131 s\u0131ra Cahit Berkay ve U\u011fur Dikmen\u2019in \u00f6zg\u00fcn d\u00fczenlemeleri ile bilinen \u201c\u00d6mr\u00fcm\u201d\u00fc art\u0131k F\u0131\u015fk\u0131n\u2019\u0131n sesi ve \u00d6v\u00fcn\u00e7 Dan d\u00fczenlemesi ile yeniden dinlemek m\u00fcmk\u00fcn! \u00d6zge F\u0131\u015fk\u0131n\u2019\u0131n \u201c\u00d6mr\u00fcm\u201d cover\u2019\u0131, Tamar Records etiketiyle yar\u0131n t\u00fcm m\u00fczik platformlar\u0131nda.<\/p>\n
\u00d6zge F\u0131\u015fk\u0131n, bu tekli \u00e7al\u0131\u015fmas\u0131na dair duygu ve d\u00fc\u015f\u00fcncelerini \u015f\u00f6yle ifade ediyor:<\/p>\n
\u201c\u00d6mr\u00fcm \u015fark\u0131s\u0131n\u0131 ilk dinledi\u011fimde \u00f6nce lirik d\u00fcnyas\u0131ndan etkilendim. Zamans\u0131z s\u00f6zleri bug\u00fcn de ya\u015fama dair deneyimledi\u011fimiz t\u00fcm o gel-gitleri, ini\u015f ve \u00e7\u0131k\u0131\u015flar\u0131, Cem Karaca\u2019n\u0131n kendine \u00f6zg\u00fc yorumuyla ortaya koyuyordu. Tabi ki \u2018\u00f6mr\u00fcm\u2019 diyebilmek i\u00e7in insan\u0131n hayatta bir miktar mesai yapm\u0131\u015f olmas\u0131 da laz\u0131m! Bekledim\u2026 Ve ne tesad\u00fcft\u00fcr ki bu k\u0131ymetli \u015fark\u0131 ve ben her ikimizin de otuzuncu senesinde bulu\u015fmu\u015f olduk. Zira 1992 benim de sahne hayat\u0131ma ba\u015flad\u0131\u011f\u0131m y\u0131l.<\/p>\n
Bu \u015fark\u0131y\u0131 yeniden kaydetme noktas\u0131nda beni k\u0131rmayarak bizimle yer alan de\u011ferli \u00fcstat Cahit Berkay ise ge\u00e7mi\u015fi bug\u00fcne ta\u015f\u0131yan bir ruh \u00fcfledi. \u00d6v\u00fcn\u00e7 Dan bu esintiyi t\u00fcm d\u00fczenlemede peki\u015ftirdi. Umar\u0131m hepimize iyi gelecektir t\u00fcm derinli\u011fi ile \u00d6mr\u00fcm.\u201d<\/p>\n
\u00d6zge F\u0131\u015fk\u0131n\u2019\u0131n \u201c\u00d6mr\u00fcm\u201d cover\u2019\u0131, Tamar Records etiketiyle t\u00fcm m\u00fczik platformlar\u0131nda.<\/p>\n
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\u015eark\u0131n\u0131n “Zamans\u0131z” s\u00f6zlerinden etkilenmi\u015f m\u00fczisyen ve ne g\u00fczel bir tesad\u00fcft\u00fcr ki \u015fark\u0131 hem kendisinin m\u00fczik hayat\u0131ndaki yolculu\u011funun hem de yay\u0131nland\u0131\u011f\u0131 ilk tarihin 30’ncu y\u0131l\u0131na yeti\u015fmeyi ba\u015farm\u0131\u015f. G\u00fc\u00e7l\u00fc sesinin yan\u0131na eklenen \u00d6v\u00fcn\u00e7 Dan’\u0131n m\u00fcthi\u015f d\u00fczenlemesini de g\u00f6z ard\u0131 etmemek laz\u0131m ki hem tarihin hem de bug\u00fcn\u00fcn bulu\u015fmas\u0131 bu \u015fekilde tamamlanm\u0131\u015f. G\u00fcn\u00fcm\u00fczde en \u00e7ok tart\u0131\u015f\u0131lan konulardan biridir ya cover \u015fark\u0131 yorumlamak i\u015fin kolay\u0131 m\u0131, belki bir yerde evet ama burada \u00e7ok net bir \u015fekilde g\u00f6r\u00fcyoruz ki asl\u0131nda \u00e7ok zor, “\u00d6mr\u00fcm” gibi \u015fark\u0131lar\u0131 ba\u015farmak \u00e7ok zor ama bu ekip ba\u015farm\u0131\u015f ve \u015fark\u0131n\u0131n ruhunu hi\u00e7 \u00f6ld\u00fcrmedi\u011fi gibi adeta yeniden de \u015faha kald\u0131rm\u0131\u015f, emeklere sa\u011fl\u0131k.<\/p>\n
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