{"id":23457,"date":"2024-11-25T17:23:03","date_gmt":"2024-11-25T14:23:03","guid":{"rendered":"http:\/\/www.muzikekspres.com\/index.php\/?p=23457"},"modified":"2024-11-28T13:07:25","modified_gmt":"2024-11-28T10:07:25","slug":"seda-erciyes-batakligimda","status":"publish","type":"post","link":"http:\/\/www.muzikekspres.com\/index.php\/seda-erciyes-batakligimda\/","title":{"rendered":"Seda Erciyes &#8211;  Batakl\u0131\u011f\u0131mda"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Uzun zaman sonra \u00f6zledi\u011fimiz alb\u00fcm sunumlar\u0131 bu hafta \u00e7ok fazla kar\u015f\u0131m\u0131za \u00e7\u0131kt\u0131. Tan\u0131d\u0131\u011f\u0131m\u0131z seslerin yan\u0131nda bir de ilk alb\u00fcm haberi geldi ki &#8220;T\u00fcrkiye&#8217;nin <\/span><span style=\"font-weight: 400;\">ba\u011f\u0131ms\u0131z m\u00fczik batakl\u0131\u011f\u0131n\u0131n derinliklerinden g\u00fc\u00e7l\u00fc bir ses&#8221; gibi de iddial\u0131 bir sunumla kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda ses vermekten geri durmad\u0131m. Bu arada bir dipnot; bir ilk alb\u00fcm ama 2019 y\u0131l\u0131ndan beri single yolculu\u011fu devam ediyormu\u015f, ama bir de af ki ben ilk kez kar\u015f\u0131la\u015f\u0131yorum.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Seda Erciyes, \u201cBatakl\u0131\u011f\u0131mda\u201d ad\u0131n\u0131 verdi\u011fi bu ilk alb\u00fcm \u00e7al\u0131\u015fmas\u0131nda ait oldu\u011fu co\u011frafyan\u0131n karanl\u0131k sular\u0131nda \u00e7amura bulanm\u0131\u015f toplumsal cinsiyet normlar\u0131n\u0131 dans ederek silkelerken, dezavantajlarla harmanlanm\u0131\u015f bir m\u00fccadeleyi masals\u0131 bir tav\u0131rla ezgilemi\u015f. Alb\u00fcm; introsundan sizi i\u00e7ine \u00e7ekmeyi ba\u015far\u0131yor ve devam\u0131nda h\u0131z\u0131n\u0131 kesmiyor hatta artt\u0131r\u0131yor.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Caz, R&amp;B ve elektronik etkilerle beslenmi\u015f bir alternatif pop alb\u00fcm\u00fc kar\u015f\u0131m\u0131zda. \u00d6zenle haz\u0131rlanm\u0131\u015f bir sunum ile bize \u015fark\u0131 ula\u015f\u0131yor ki eski \u00f6zledi\u011fimiz lezzette ve belli ki i\u015fe gayet emek verilmi\u015f ve sadece payla\u015fmak i\u00e7in de\u011fil adeta anlatmak istedi\u011fi \u00e7ok \u015fey \u015feklinde bir titizlikle yakla\u015f\u0131lm\u0131\u015f olaya, buradan bir kere benden tam puan almay\u0131 ba\u015fard\u0131 \u00e7al\u0131\u015fma.\u00a0 <\/span><\/p>\n<p>Erciyes; kendi kurallar\u0131yla \u00fcreten bir kad\u0131n sanat\u00e7\u0131 olarak bu \u00fclkede nas\u0131l \u201cayk\u0131r\u0131\u201d, \u201casi\u201d, \u201cyabani\u201d ya da \u201cistenmeyen\u201d hissettirildi\u011fine dair duygular\u0131n\u0131 \u015fark\u0131la\u015fm\u0131\u015f ki bu onlar\u0131n b\u00fclteninden b\u00fclteninden bir not, adeta dinleyicinin kafas\u0131nda hissetti\u011fi ama dile getirmekte bu \u015fekilde ba\u015far\u0131l\u0131 olamayaca\u011f\u0131 bir tan\u0131mlama \u00f6zeti gibi.<\/p>\n<p>M\u00fczisyen kadrosuna gelince kendi s\u00f6z ve bestelerinin yan\u0131na Arsan Salafyar imzas\u0131 g\u00f6r\u00fcyoruz \u015fark\u0131larda. Salafyar&#8217;\u0131n yan\u0131nda enstr\u00fcmanlarda Y\u00fcce Ak\u0131n, Ozan K\u0131nasakal, Dilan Balkay, Ozan \u00d6zt\u00fcrk, Ozan Emre Keser isimlerini g\u00f6r\u00fcyoruz.<\/p>\n<p>Her ne kadar &#8220;bu alb\u00fcm\u00fcn tek iddias\u0131 benim kim oldu\u011fumu size d\u00fcr\u00fcst \u015fekilde anlatmak&#8221; dese de bence bir parantez a\u00e7mal\u0131 ve \u00e7ok daha fazla ki\u015finin de ula\u015fmas\u0131 ve dinlemesi dilenmeli. Verilmi\u015f bu eme\u011fin ya\u015fanan bu h\u0131zl\u0131 ak\u0131\u015fta sessiz sedas\u0131z arada kaynamamas\u0131n\u0131 dilerim, bizden s\u00f6ylemesi. Bir de sosyal medya sayfas\u0131ndan \u00f6\u011frendi\u011fim kadar\u0131 ile 16 Aral\u0131k tarihinde Salon \u0130KSV&#8217;de lansman konseri olacak. Belki o tarihe kadar iyice \u00f6z\u00fcmsemeli ve orada kendisine ba\u011f\u0131ra \u00e7a\u011f\u0131ra e\u015flik etmeli.<\/p>\n<h5>Kadri Karahan \/ Edit\u00f6r\u00fcn Notu<\/h5>\n<p>&nbsp;<\/p>\n<p><iframe title=\"Spotify Embed: Batakl\u0131\u011f\u0131mda\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3TpE4Y9hOSoTZJ2Qwx8n2n?si=KwjBss5iTpOHHXEYs7Wxtw&#038;utm_source=oembed\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">T\u00fcrkiye&#8217;nin ba\u011f\u0131ms\u0131z m\u00fczik batakl\u0131\u011f\u0131n\u0131n derinliklerinden g\u00fc\u00e7l\u00fc bir ses y\u00fckseliyor. Seda Erciyes, \u201cBatakl\u0131\u011f\u0131mda\u201d ad\u0131n\u0131 verdi\u011fi ve ba\u011f\u0131ms\u0131z olarak yay\u0131mlad\u0131\u011f\u0131 ilk alb\u00fcm\u00fcnde, ait oldu\u011fu co\u011frafyan\u0131n karanl\u0131k sular\u0131nda \u00e7amura bulanm\u0131\u015f toplumsal cinsiyet normlar\u0131n\u0131 dans ederek silkelerken, dezavantajlarla harmanlanm\u0131\u015f bir m\u00fccadeleyi masals\u0131 bir tav\u0131rla ezgiliyor.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Caz, R&amp;B ve elektronik etkilerle beslenmi\u015f bir alternatif pop alb\u00fcm\u00fc \u201cBatakl\u0131\u011f\u0131mda\u201d. T\u00fcrk\u00e7e m\u00fczikte \u00f6zg\u00fcnl\u00fc\u011f\u00fcyle bir iz b\u0131rakmas\u0131 arzusuyla hayat verdi\u011fi koleksiyon; m\u00fczisyenin kendi kurallar\u0131yla \u00fcreten bir kad\u0131n sanat\u00e7\u0131 olarak bu \u00fclkede nas\u0131l \u201cayk\u0131r\u0131\u201d, \u201casi\u201d, \u201cyabani\u201d ya da \u201cistenmeyen\u201d hissetirildi\u011fine dair duygular\u0131n\u0131 \u015fark\u0131la\u015ft\u0131r\u0131yor.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Arsan imzas\u0131n\u0131 ta\u015f\u0131yan \u201cIntro\u201dyla birlikte nefesini tutup dal\u0131\u015fa ge\u00e7en Seda\u2019ya kulak kabart\u0131yoruz: \u201cHerkesin ilk bak\u0131\u015fta tercih edece\u011fi g\u00fcl ya da papatya gibi olmam gerekmiyor; bir kez fark edildi\u011finde \u00e7ekicili\u011fi anla\u015f\u0131lan yabani otlardan biriyim\u201d diyor ve inad\u0131na ye\u015feren b\u00fct\u00fcn otlar\u0131, tutunan k\u00f6kleri ve hayat\u0131n inat\u00e7\u0131 filizlerini temsil ediyor. Alb\u00fcme devam ettik\u00e7e batakl\u0131\u011f\u0131n ne kadar k\u0131s\u0131tlay\u0131c\u0131 ve zorlay\u0131c\u0131 olsa da diren\u00e7 ve yarat\u0131c\u0131l\u0131k da sunan alternatif y\u00fcz\u00fcn\u00fc g\u00f6r\u00fcyoruz.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Batakl\u0131\u011f\u0131mda&#8221; kad\u0131n kimli\u011fine dair k\u0131r\u0131lganl\u0131klar, beden a\u015fa\u011f\u0131lama, arzulanma, kayg\u0131l\u0131 ba\u011flanma ve depresyon gibi \u00e7at\u0131\u015fmas\u0131 bol kavramlar\u0131 kendine \u00f6zg\u00fc bir d\u00fcr\u00fcstl\u00fckle ele al\u0131yor. &#8220;YABAN\u0130&#8221; ve &#8220;\u00c7amur&#8221; gibi par\u00e7alarla Seda Erciyes\u2019in i\u00e7 d\u00fcnyas\u0131na do\u011fru derin kula\u00e7lar atarken, do\u011fall\u0131\u011f\u0131yla dikkat \u00e7eken bir prova kayd\u0131yla kar\u015f\u0131la\u015f\u0131yoruz. Dilan Balkay\u2019\u0131n trompetiyle e\u015flik etti\u011fi \u201c\u00c7amur Interlude\u201d, yal\u0131n ve i\u015flenmemi\u015f bir estetikle bize duyusal bir durak yarat\u0131rken, trompetin yabani canl\u0131lara benzer yakar\u0131\u015flar\u0131 ile adeta bizim bu batakl\u0131\u011f\u0131n en dibine inip buradaki karanl\u0131kla y\u00fczle\u015fmemizi istiyor.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Her par\u00e7a, i\u00e7sel \u00e7at\u0131\u015fmalar\u0131 ve g\u00fc\u00e7l\u00fc duygular\u0131 y\u00fczeye \u00e7\u0131karan cesur ifadelerle dolu. J\u00fclide\u2019nin vokalleriyle ba\u015flayan \u201cIs\u0131rgan\u201d, ikilinin ses uyumuyla i\u00e7ten bir diyalo\u011fa d\u00f6n\u00fc\u015f\u00fcyor. Takip eden \u201cG\u00f6lge\u201d bast\u0131r\u0131lan korku ve arzular\u0131n alt\u0131n\u0131 \u00e7izerken,\u00a0 \u201cBundan Sonra A\u015fk Yok\u201d i\u00e7sel bir hesapla\u015fman\u0131n di\u015f g\u0131c\u0131rdatan d\u00fc\u015f\u00fc\u015f\u00fcn\u00fc an\u0131msat\u0131yor. Gecenin uzun, bitmek bilmez bir macera gibi akt\u0131\u011f\u0131 &#8220;S\u00fcrme&#8221;, savunmas\u0131z kalma riskini g\u00f6ze alman\u0131n Seda&#8217;cas\u0131n\u0131 tembihlerken; alb\u00fcm\u00fcn kapan\u0131\u015f par\u00e7as\u0131 \u201cPAS (Outro)\u201d, do\u011frudan T\u00fcrkiye\u2019ye yak\u0131lm\u0131\u015f bir a\u011f\u0131t gibi; \u201cbir yan\u0131m sakin, bilirim ge\u00e7er\u201d diyor. Tekrar y\u00fczeye \u00e7\u0131karken al\u0131nan o nefes, bize d\u00f6ng\u00fcsel bir anlat\u0131da oldu\u011fumuzu i\u015faret ediyor. Sanki her dinleyi\u015fte daha tan\u0131d\u0131k gelen bu duygusal batakl\u0131kta yeniden ke\u015ffedilecek \u015feyler oldu\u011funa dair bir davet bu.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Kendi batakl\u0131\u011f\u0131n\u0131n, karanl\u0131\u011f\u0131n\u0131n nas\u0131l hissettirdi\u011fini aktarma yolu olarak tasarlad\u0131\u011f\u0131 ilk alb\u00fcm\u00fcnde Seda Erciyes\u2019in k\u0131r\u0131lganl\u0131k, yetersizlik, de\u011fersizlik gibi bast\u0131r\u0131lm\u0131\u015f hisleriyle kucakla\u015fma s\u00fcrecini ad\u0131m ad\u0131m takip ediyoruz. Ba\u015ftan sona d\u00f6ng\u00fcsel bir yap\u0131s\u0131 hakk\u0131nda da \u015funlar\u0131 s\u00f6yl\u00fcyor Erciyes:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201c<\/span><i><span style=\"font-weight: 400;\">Alb\u00fcmde son \u015fark\u0131, ilk \u015fark\u0131ya ba\u011flan\u0131yor \u00e7\u00fcnk\u00fc bu bir d\u00f6ng\u00fc; s\u00fcrekli insan karanl\u0131\u011f\u0131na d\u00f6n\u00fcyor. \u00d6nemli olan, o noktaya tekrar d\u00fc\u015ft\u00fc\u011f\u00fcnde ona al\u0131\u015fmak ve onu tan\u0131mak. T\u0131pk\u0131 bu alb\u00fcm\u00fc yeniden dinledi\u011fimizde, ba\u015fta mesafeli hissetti\u011fimiz her bir \u015fark\u0131ya daha tan\u0131d\u0131k bir yerden yakla\u015facak olmam\u0131z gibi.<\/span><\/i><span style=\"font-weight: 400;\">\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Alb\u00fcm\u00fcn prod\u00fckt\u00f6r koltu\u011funda Seda Erciyes\u2019in uzun s\u00fcredir birlikte \u00e7al\u0131\u015ft\u0131\u011f\u0131 yeni d\u00f6nemin en g\u00fc\u00e7l\u00fc isimlerinden Arsan Salaryfar ve\u00a0 \u201cG\u00f6lge\u201d par\u00e7as\u0131nda ise konuk prod\u00fckt\u00f6r Mehmet Mutlu bulunuyor. Mix &amp; mastering ise a\u011f\u0131rl\u0131kl\u0131 olarak Adham Farid yer al\u0131rken, Arsan Salaryfar\u2019\u0131n yarat\u0131c\u0131 y\u00f6nlendirmeleri de baz\u0131 par\u00e7alarda \u00f6n plana \u00e7\u0131k\u0131yor.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Alb\u00fcm\u00fcn kapa\u011f\u0131 ise \u00f6zellikle hikayenin tamamlayac\u0131s\u0131 olarak tasarland\u0131. G\u00f6rsel sanatlara ve modaya \u00e7ok \u00f6nem veren sanat\u00e7\u0131, alb\u00fcm d\u00fcnyas\u0131n\u0131 bu alan\u0131n \u00f6nc\u00fclerinden Mert Yemenicio\u011flu ile in\u015faa ediyor. \u0130kili, yakla\u015f\u0131k bir bu\u00e7uk y\u0131ld\u0131r &#8216;Batakl\u0131\u011f\u0131mda&#8217; alb\u00fcm\u00fcn\u00fcn performans sanat\u0131 k\u0131sm\u0131n\u0131 konserlerde ve sahnelerde sergilemeye ba\u015flam\u0131\u015ft\u0131. Kapakta, sanat\u00e7\u0131y\u0131 alb\u00fcm temas\u0131na \u00f6zel tasarlanm\u0131\u015f bir kost\u00fcmle g\u00f6r\u00fcyoruz. Cover art \u00e7ekimleri ise ba\u015far\u0131l\u0131 foto\u011fraf sanat\u00e7\u0131s\u0131 Mustafa Nurdo\u011fdu&#8217;nun imzas\u0131n\u0131 ta\u015f\u0131yor.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uzun zaman sonra \u00f6zledi\u011fimiz alb\u00fcm sunumlar\u0131 bu hafta \u00e7ok fazla kar\u015f\u0131m\u0131za \u00e7\u0131kt\u0131. Tan\u0131d\u0131\u011f\u0131m\u0131z seslerin yan\u0131nda bir de ilk alb\u00fcm haberi geldi ki &#8220;T\u00fcrkiye&#8217;nin ba\u011f\u0131ms\u0131z m\u00fczik batakl\u0131\u011f\u0131n\u0131n derinliklerinden g\u00fc\u00e7l\u00fc bir ses&#8221; gibi de iddial\u0131 bir sunumla kar\u015f\u0131la\u015ft\u0131\u011f\u0131mda ses vermekten geri durmad\u0131m. Bu arada bir dipnot; bir ilk alb\u00fcm ama 2019 y\u0131l\u0131ndan beri single yolculu\u011fu devam ediyormu\u015f, &#8230;<\/p>\n","protected":false},"author":2,"featured_media":23458,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[240],"tags":[],"_links":{"self":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/23457"}],"collection":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/comments?post=23457"}],"version-history":[{"count":3,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/23457\/revisions"}],"predecessor-version":[{"id":23480,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/23457\/revisions\/23480"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/media\/23458"}],"wp:attachment":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/media?parent=23457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/categories?post=23457"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/tags?post=23457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}