Faz\u0131l Say’\u0131n yeni alb\u00fcm\u00fc “Yeni \u015eark\u0131lar” Ada M\u00fczik etiketiyle raflardaki yerini al\u0131yor. Say, “Yeni \u015eark\u0131lar” alb\u00fcm\u00fcnde de Edip Cansever, Turgut Uyar, Cemal S\u00fcreya, N\u00e2z\u0131m Hikmet ve \u00d6mer Hayyam’\u0131n \u015fiirlerine yer veriyor.<\/p>\n
HEP\u0130M\u0130Z\u0130N \u015eARKILARI<\/p>\n
\u201c\u0130lk \u015fark\u0131lar\u201ddan bir y\u0131l sonra bu sefer son bestelerimin yer ald\u0131\u011f\u0131 \u201cYeni \u015eark\u0131lar\u201d ile bulu\u015fuyoruz; benim i\u00e7in b\u00fcy\u00fck mutluluk, b\u00fcy\u00fck heyecan.<\/p>\n
Bu \u015fark\u0131lar deneyseldir, yenidir, farkl\u0131d\u0131r elbet. Ama emin olun ki “hepimizin” \u015fark\u0131lar\u0131d\u0131r ve hayat\u0131mda en \u00e7ok emek ve vakit harcad\u0131\u011f\u0131m \u00e7al\u0131\u015fmalar\u0131mdan biridir. Sonu\u00e7ta, ula\u015fmak istedi\u011fim nokta, “sadelik”, “g\u00fczellik” ve \u201csamimiyet\u201ddir, kendime ula\u015fmakt\u0131r, bizleri anlatmakt\u0131r. Biz insanlar\u0131… Her \u015fark\u0131n\u0131n \u201ckendi d\u00fcnyas\u0131\u201d, \u201ckendi uygarl\u0131\u011f\u0131\u201d olsun istedim. M\u00fczikal a\u00e7\u0131dan hi\u00e7 denenmemi\u015f \u015feyleri tatmak istedim. Her \u015fark\u0131 bir “k\u0131sa film” gibi olsun istedim. O \u201chayaller\u201dden biraz bahsetmek isterim.<\/p>\n
ED\u0130P CANSEVER \u015fark\u0131mda, bir deniz k\u0131z\u0131 getirir bize “a\u015fk\u201d\u0131\u2026 T\u00fcrk enstr\u00fcmanlar\u0131 ve bat\u0131 enstr\u00fcmanlar\u0131 do\u011fal bir birliktelik i\u00e7indedirler. Bir “Kemen\u00e7e” Keman ile Viyolonsel aras\u0131nda s\u00fcrekli melodi ta\u015f\u0131r. “Ney” \u201c10 sesli\u201d olmu\u015ftur. Evet, denizden \u00e7\u0131kan bir \u015fark\u0131d\u0131r; ama bu -uzun-10 dakikal\u0131k \u015fark\u0131m\u0131n sonunda sanki bir ba\u015fka gezegendeki bir ba\u015fka denizin kenar\u0131nday\u0131zd\u0131r! Theremin, Daxophpne, ve Waterphone gibi “yeni” enstr\u00fcmanlar\u0131n yard\u0131m\u0131 ile hi\u00e7 duymad\u0131\u011f\u0131n\u0131z ilgin\u00e7 “a\u015fk” diyaloglar\u0131n\u0131 hayal etmek u\u011fruna\u2026<\/p>\n
TURGUT UYAR’\u0131n efsanevi -aldat\u0131lma ve sevdi\u011fine yakar\u0131\u015f- \u015fiiri “G\u00f6\u011fe Bakma Dura\u011f\u0131”nda, “d\u00fcnya d\u0131\u015f\u0131 bir varl\u0131k, bir Ven\u00fcs kad\u0131n\u0131n\u0131n sesi gibi” olan Theremin enstr\u00fcman\u0131, bu sefer, Turgut Uyar’\u0131n \u015fiirinde seslendi\u011fi kad\u0131n\u0131n\u0131 tarif etmek ister. Kimi yerleri “\u00e7\u0131\u011fl\u0131k \u00e7\u0131\u011fl\u0131\u011fa” sertle\u015fen \u00fcsluptaki bu \u015fark\u0131, gittik\u00e7e radikalle\u015fen bir travmaya do\u011fru yol almaktad\u0131r. \u015eark\u0131n\u0131n sonunda herkes bu \u015fiiri okumaktad\u0131r ayn\u0131 anda. Kim bu \u015fiirde anlat\u0131lan hisleri ya\u015famam\u0131\u015ft\u0131r ki? Ve hepimiz asl\u0131nda yaln\u0131z de\u011fil miyiz? \u015eark\u0131n\u0131n sonundaki gibi\u2026<\/p>\n
CEMAL S\u00dcREYA \u015fark\u0131s\u0131nda ise, “y\u0131k\u0131c\u0131”, “hain”, “yasa d\u0131\u015f\u0131” bir a\u015fk\u0131 anlat\u0131yoruz. Yine pek \u00e7ok vokal solistin kat\u0131l\u0131m\u0131 ile bu \u015fark\u0131m\u0131n baz\u0131 yerleri bir opera sahnesine d\u00f6n\u00fc\u015febiliyor. Cemal S\u00fcreya\u2019n\u0131n c\u00fcmleleri, yine hepimizin an\u0131lar\u0131, hisleri de\u011fil midir?<\/p>\n
NAZIM H\u0130KMET’in ola\u011fan\u00fcst\u00fc derin “Masallar\u0131n Masal\u0131”, bu \u015fark\u0131da bir dere kenar\u0131nda akar gibidir. Bu \u015fiiri \u00e7alg\u0131lar ile resimlemek istedim. \u015e\u00f6yle ki: “Su” (Arp),”\u00c7\u0131nar” (Blokfl\u00fct), “Su Ba\u015f\u0131nda” (Kemanlar), \u201cKedi\u201d (Kanun) “G\u00fcne\u015f” (22 sesli Ney akorlar\u0131)”\u00d6mr\u00fcm\u00fcz” (Theremin), “Suyun \u015favk\u0131”(Vibraton sesleri), “Suyun Sureti” (Uzakla\u015fan eko sesler) gibi\u2026 Naz\u0131m\u2019\u0131n en sevdi\u011fim \u015fiirlerinden biridir.<\/p>\n
Co\u015fkulu ve tepkili HAYYAM \u015fark\u0131mda ise, Piyano, Ramazan davulu, Kud\u00fcm, Rock Gitarlar\u0131 \u201cKlasik Koro\u201d ile ad\u0131n\u0131 hen\u00fcz bilmedi\u011fim bir m\u00fczik stiline do\u011fru yolculuk ba\u015flar benim i\u00e7in.<\/p>\n
Belki de o “m\u00fczik stili”nin ad\u0131 laz\u0131m de\u011fil, kendi m\u00fczi\u011fim olmas\u0131 yeterlidir. \u015eark\u0131lar\u0131m\u0131, vokal solist olarak yine g\u00fc\u00e7l\u00fc yorumcu Serenad Ba\u011fcan’a emanet ettim. Bunun yan\u0131nda 30’dan fazla \u00e7ok de\u011ferli sanat\u00e7\u0131n\u0131n kat\u0131l\u0131m\u0131 ve m\u00fcthi\u015f bir st\u00fcdyo \u00e7al\u0131\u015fmas\u0131 ile bu kayd\u0131 ger\u00e7ekle\u015ftirdik.<\/p>\n
“Yeni \u015fark\u0131lar\u0131” iyi dinlemeler.<\/p>\n
Hepinize sayg\u0131yla, sevgiyle, i\u00e7tenlikle…<\/p>\n
Faz\u0131l Say<\/p>\n
01 – \u015eey \u015eey Ve \u015eeylerden
\nS\u00f6z: Edip Cansever – Beste: Faz\u0131l Say<\/p>\n
02 – G\u00f6\u011fe Bakma Dura\u011f\u0131
\nS\u00f6z: Turgut Uyar – Beste: Faz\u0131l Say<\/p>\n
03 – Bu Bizimki
\nS\u00f6z: Cemal S\u00fcreya – Beste: Faz\u0131l Say<\/p>\n
04 – Masallar\u0131n Masal\u0131
\nS\u00f6z: Naz\u0131m Hikmet – Beste: Faz\u0131l Say<\/p>\n
05 – Ey K\u00f6r
\nS\u00f6z: \u00d6mer Hayyam – Beste: Faz\u0131l Say<\/p>\n
(Bas\u0131n B\u00fclteni)<\/p>\n","protected":false},"excerpt":{"rendered":"
Faz\u0131l Say’\u0131n yeni alb\u00fcm\u00fc “Yeni \u015eark\u0131lar” Ada M\u00fczik etiketiyle raflardaki yerini al\u0131yor. Say, “Yeni \u015eark\u0131lar” alb\u00fcm\u00fcnde de Edip Cansever, Turgut Uyar, Cemal S\u00fcreya, N\u00e2z\u0131m Hikmet ve \u00d6mer Hayyam’\u0131n \u015fiirlerine yer veriyor. HEP\u0130M\u0130Z\u0130N \u015eARKILARI \u201c\u0130lk \u015fark\u0131lar\u201ddan bir y\u0131l sonra bu sefer son bestelerimin yer ald\u0131\u011f\u0131 \u201cYeni \u015eark\u0131lar\u201d ile bulu\u015fuyoruz; benim i\u00e7in b\u00fcy\u00fck mutluluk, b\u00fcy\u00fck heyecan. Bu …<\/p>\n","protected":false},"author":1,"featured_media":2822,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[24],"tags":[297],"_links":{"self":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/2821"}],"collection":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/comments?post=2821"}],"version-history":[{"count":1,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/2821\/revisions"}],"predecessor-version":[{"id":2823,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/posts\/2821\/revisions\/2823"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/media\/2822"}],"wp:attachment":[{"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/media?parent=2821"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/categories?post=2821"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.muzikekspres.com\/index.php\/wp-json\/wp\/v2\/tags?post=2821"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}